Egypt and Pyramides

The Seven Wonders of the World Of Antiquity and Middle Ages

Babylon's Hanging Gardens, One of the Seven Wonders of the Ancient World

Babylon’s Hanging Gardens, One of the Seven Wonders of the Ancient World Giclee Print
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The Seven Wonders of the World Of Antiquity:

(1) The Pyramids of Egypt.
(2) The Gardens of Semiramis at Babylon.
(3) The statue of Zeus at Olympia, the work of Phidias.
(4) The Temple of Diana at Ephesus.
(5) The Mausoleum at Halicarnassus.
(6) The Colossus at Rhodes.
(7) The Pharos of Egypt, the Walls of Babylon or the Palace of Cyrus.

The Seven Wonders of the World Of the Middle Ages:

(1) The Coliseum of Rome.
(2) The Catacombs of Alexandria.
(3) The Great Wall of China.
(4) Stonehenge.
(5) The Leaning Tower of Pisa.
(6) The Porcelain Tower of Nankin.
(7) The Mosque of St. Sophia at Constantinople.

The palace of the Escurial has sometimes been called the eighth wonder, a name which has also been given to a number of works of great mechanical ingenuity, such as the dome of Chosroes in Madain, St. Peter’s of Rome, the Menai suspension bridge, the Eddystone lighthouse, the Suez Canal, the railway over Mont Cenis, the Atlantic cable, etc.

Egypt: The Nile Delta

Egypt: The Nile Delta

North of Cairo the bordering limestone walls of the valley shrink and diverge from each other, and the river fans out into a number of distributaries. This is the delta of the Nile, a monotonous triangular plain that has been likened to the back of a leaf, for the river and canals stand out like veins above the adjoining lowlands. Although half the delta is still occupied by lakes and swamps, salt marshes and lagoons, the remainder contains the most fertile soil in Africa. The delta measures about 100 miles from its head to the sea and about 150 along the coast. Its area, 9650 square miles (about 25,000 sq. km.), including the coastal lakes, comprises a little more than three-fourths of the Nile land in Egypt and is nearly equal to the land area of the state of Maryland.

The Delta Land

The delta conforms in outline to a gulf of the Pleistocene Mediterranean and consists of mud that has been laid down since that period by the Blue Nile and the Atbara River. These streams have brought into the mainstream of the Nile the silt from the Ethiopian highlands with which their flood waters are heavily loaded. Although there is some merging of the dark alluvial land of the delta with the light-colored sand of the bordering desert, it is nowhere sufficient to obscure the line of contact between them.

The average thickness of the alluvium is 65 feet, but it varies in depth with the configuration of the sea floor on which it has been laid down. It tends, naturally, to be heaviest and thickest at the south end of the delta and near the two branches that now carry Nile water to the sea. But even in the southern part of the delta an occasional sterile sandy mound, once an offshore island in the ancient Mediterranean gulf, still stands above the alluvium.

North of Cairo, the Nile veers toward the northwest, and about ten miles from the city bifurcates into its two present delta branches — the Damietta (Arabic Dumyat) or eastern branch, and the Rosetta (Rasheed) or western branch. Both are winding streams of considerable width. The Rosetta, 150 miles long, averages 1640 feet wide, and the Damietta, a few miles longer, 885 feet. Of the delta land, 40 per cent is between these branches and 39 and 21 per cent, respectively, east and west of them. The eastern and western extensions of the delta land correspond to the extent of the Nile flood in ancient times, when not two, as now, but several branches carried the Nile water to the sea. As late as the first century A. D., Strabo reported the Nile as having seven branches, and a twelfth century map by Idrisi, the Arab geographer, shows six branches but indicates a trend toward consolidation into the present two. The most easterly of these, the Pelusaic, to which the early canal makers connected their waterways to the Gulf of Suez, at one time carried water as far east as Pelusium or Tina Bay, east of the present Mediterranean entrance to the Suez Canal.

Owing to the somewhat greater flow until fairly recent times of Nile water and Nile silt across the eastern side of the delta than across the western side, the surface of the delta slopes down slightly from southeast to northwest, but to all appearances it is a remarkably level plain. Its elevation at its apex is only a little more than fifty feet above the sea and its average slope only 1:10,000. A wide belt along the coast, called in Arabic “barari” (barren land), is so close to sea level that only by pumping for drainage and constantly battling against salinity can a large and muchneeded acreage there be reclaimed for cultivation.

A considerable part of this coastal belt is occupied by four shallow, brackish lakes — from east to west, Manzala, Burullus, Idku, and Maryut. These lakes are separated from the sea by only a low sand belt varying in width from narrow bars to stretches several miles across. Besides serving as outlets for most of the drainage from the cultivated land of the delta, these lakes support a fishing industry which supplies most of the fish on sale at the delta markets. Part of the catch is sold fresh in nearby urban centers; the remainder is salted for wider distribution. Matariya (on Lake Manzala). Baltim (on Lake Burullus), and Idku (on Lake Idku) are the principal fishing villages.

Lake Manzala (560 square miles) extends eastward from near the lower Damietta Branch to the Isthmus of Suez, where part of the land on which Port Sa’id stands was built up by filling in some of the eastern end of the lake. Lake Burullus (215 square miles) lies between the two Nile branches, and Lake Idku (55 square miles) faces the curve of Abu Qir Bay west of the Rosetta Branch. The surface of Maryut (76 square miles), south of Alexandria, is a few feet below sea level, but it is barred from the sea by limestone ridges.

The alluvial projections that the Damietta and Rosetta branches have built out at their mouths break the delta coast line into three smooth crescentic curves, of which Abu Qir Bay is the only indentation of any prominence. Cape Abu Qir, which marks its western limit, is the terminus of the limestone ridges that parallel the coast to the west (see section on the Western Desert in this chapter). The sea off the delta front is shallow and its floor gently sloping. Within ten miles of the coast it is nowhere more than 20 meters (65.6 feet) deep, and the 50-meter (164-foot) bathy-metric contour lies at an average distance of twenty-five miles offshore.

Since ancient times, the sinking of the delta’s Pleistocene foundation has kept pace with the deposition of Nile silt. In spite of the enormous quantities of silt deposited there each year (until the present complete perennial irrigation of all the land under cultivation in the delta was well advanced) by the Nile flood, there has been no perceptible increase in the elevation of the delta above the sea. Evidence of the subsidence of the delta foundation is to be seen in the ruins of Graeco-Roman settlements at or below sea level along the coast between Alexandria and Cape Abu Qir and in the remains of still more ancient settlements submerged in the coastal lakes or appearing as islands in the marshlands and lagoons around Lakes Burullus and Manzala.

Since records have been kept, there has been no seaward extension of the delta of any consequence, even though during the height of the Nile flood a large volume of silt-laden water is discharged through the Damietta and Rosetta branches. The west-east Gibraltar current along the African coast of the Mediterranean is so effective in carrying the Nile silt eastward that there is no perceptible accumulation of it except at the mouths of these branches. The bars it forms there are serious obstacles to coastwise vessels entering and leaving the ports of Damietta and Rosetta.

Sunset on Pyramids I Art Print

Sunset on Pyramids I

Sunset on Pyramids I Art Print
Satie, Alain
27.5 in. x 19.625 in.
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Vintage Egypt Travel Print – Egypt This Winter

Egypt This Winter


Egypt This Winter Art Print
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Supreme for Sunshine Sport and Gaiety

The fundamental motive of the pyramid is the funeral mound. A small upheaval above the natural level of the ground results of itself from the earth displaced by the bulk of the buried body. Our present practice of interment clearly illustrates this. Increased dimensions elevate the mound to an independent monument. Many nations, some of a high degree of civilization, have contented themselves with such imposing hills of earth over the grave,–tumuli, which, from the manner of their construction, assumed a conical form. Others placed the mound upon a low cylinder, thus better marking its distinction from accidental natural elevations.

The Egyptians and the Mesopotamians rejected the cone entirely, and formed, with plane surfaces upon a square plan, the highly mon- umental pyramid. Peculiar to the former people are the inclined sides which give to the pyramid its absolute geometrical form, as opposed to the terraced structures of Chaldaea. The sand of the desert ebbed and flowed fifty centuries ago as constantly as in our time, when the sphinx, after being uncovered to its base, has been quickly hidden again to the neck. Rulers, unwilling that their gigantic tombs should be thus submerged, were obliged to secure to them great height, with inclined and unbroken sides, upon which the sand could not lodge.

Spend This Winter in Egypt


Spend This Winter in Egypt Where a Perfect Climate is to be Obtained Art Print
Tamplough, M.
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Cairo by Air Print – Vintage Airline Prints

Cairo by Air


Cairo by Air Art Print
James, Brian
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The true age of the monuments of Lower Egypt has not long been known. When Napoleon I. fired the spirits of his troops before the Battle of the Pyramids by the well-known words “Forty centuries look down upon you from the heights of these pyramids,” he must have been aware that, according to the conceptions of the archaeological science of the time, he was exaggerating.

In fact, however, he was far behind the truth. The pyramids of Abousere, possibly also those of Dashour, are of the third dynasty ( 3338 to 3124 B.C., according to Lepsius), those of Gizeh of the fourth dynasty of Manetho ( 3124 to 2840 B.C.). These are structures which have stood for five thousand years. The pyramids of Cochome, referred to the first dynasty of Manetho, are still older, dating from a time nearly coincident, according to Biblical authority, with the creation of the world itself ( 3761 B.C.).

It is true we are still so far from chronological certainty that dates often differ astonishingly. Osburn, for instance, places the fourth and fifth dynasties as late as the period between 2228 and 2108 B.C., and notably the two kings of the fourth dynasty, Shofo and Nu-Shofo, about 2170 B.C. The first twelve dynasties of Memphis, dated by Lepsius about 3892 to 2167, and by Osburn as late as 1959 B.C., are now known principally by their monumental tombs. Among these, the sepulchres of the kings are prominent in like manner as the ruler in an absolute and theocratic monarchy is elevated above his subjects.

Imperial Airways, Egypt


Imperial Airways, England – Egypt – India Art Print
Erickson, Kerne
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Egypt for Winter Sunshine Poster – Vintage Travel Art

Egypt


Egypt for Winter Sunshine Poster
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The changeless blue of the Egyptian sky, the strictly regular return of all the natural phenomena connected with the Nile, that wonderful stream of the land’s life, are entirely in accord with the fixedness of Egyptian civilization in all its branches. Though the high state of advance which we first find in Egyptian art, three thousand years before the Christian era, must necessarily have been preceded by less perfected degrees, it is wholly impossible to perceive such stages of development in any of the monuments known. After Egypt had attained a certain height of civilization, its history, during the thousands of years known to us, shows none of those phases of advance or decline, of development in short, to be observed in Europe during every century, if not during every decade.

The Egyptian completed buildings and statues begun by his remote ancestors without the slightest striving for individual peculiarity. He commenced new works in the same spirit, leaving them for similar execution by his great-grandchildren. Numberless generations thus dragged on without bequeathing a trace of any peculiar character and ability. It is only by the cartouches of the kings in the hieroglyphic inscriptions that it is possible to separate the dynasties, and to group into periods of a thousand years or more, works of art which seem from their style to belong to one and the same age. What gigantic revolutions have affected the civilization of Europe during the fourteen centuries elapsed since the overthrow of the Roman Empire, and how slight are the appreciable changes during the nearly equal number of years of the ancient dynasties of Memphis–the period of the pyramids, or again of the Theban kingdom–from the seventeenth dynasty to the rule of the Ptolemies!

Abou Simbel Temple Print – Egypt Travel Art

Temple of Abou Simbel


Temple of Abou Simbel Art Print
Roberts, David
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It is a curious chance that the most ancient monuments of human civilization should stand upon a land which is one of the youngest geological formations of our earth. The scene of that artistic activity made known to us by the oldest architectural remains of Africa and of the world was not Upper Egypt, where steep primeval cliffs narrow the valley of the Nile, but the alluvion of the river’s delta. It would be difficult to decide whether the impulse of monumental creativeness were here first felt, or whether the mere fact of the preservation of these Egyptian works, secured by the indestructibility of their construction as well as by the unchangeableness of Egyptian art, be sufficient to explain this priority to other nations of antiquity — notably to Mesopotamia.

Although no ruins have been found in Chaldaea of earlier date than the twenty-third century B.C., it is not at all impossible that remains of greater antiquity may yet come to light in a country which is by no means thoroughly explored. Nor should we deem the old est structures now preserved to be necessarily those first erected. The perishable materials of the buildings which stood in the plains of the Euphrates and Tigris, generally sun-dried bricks with asphalt cement, were not calculated to insure long duration, or to prevent their overthrow and obliteration by the continual changes in the course of these rivers, through the silting and swamping of their valleys. Yet, though tradition would incline us to assume that Chaldaean civilization and art were the more ancient, the oldest monuments known exist upon the banks of the Nile.

Great Pyramids Panoramic Print

The Great Pyramids, El Giza, Egypt


The Great Pyramids, El Giza, Egypt Art Print
Koubou, Shashin
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The Egyptians had many gods, but there were two whom they worshiped above all others. The sun, which shines so gloriously in the cloudless Egyptian sky, was their greatest god, and their most splendid temples were erected for his worship. Indeed, the pyramid is a symbol sacred to the Sun-god. They called him Re (pronounced ray). The other great power which they revered was the shining Nile.

The great river and the fertile soil he refreshes, and the green life which he brings forth–all these the Egyptian thought of together as a single god, Osiris, the imperishable life of the earth, which revives and fades every year with the changes of the seasons. It was a beautiful thought to the Egyptian that this same life-giving power which furnished him his food in this world would care for him also in the next, when his body lay out yonder in the great cemetery of Gizeh, which we are approaching.

But this vast cemetery of Gizeh tells us of many other things besides the religion of the Egyptians. As we look up at the colossal pyramids behind the Sphinx we can hardly grasp the fact of the enormous forward stride taken by the Egyptians since the days when they used to be buried with their flint knives in a pit scooped out on the margin of the desert. It was the use of metal which since then had carried them so far. That Egyptian in Sinai who noticed the first bit of metal lived over a thousand years before these pyramids were built. He was buried in a pit like that of the earliest Egyptian peasant.